ARMOUR-INSPIRED STRUCTURAL LAYERS AND ASYMMETRIC DRAPING, DRAWING FROM BOTH ARMOUR AND TRADITIONAL KOREAN DRESS, EVOLVE INTO NEW FORMS THROUGH A PROCESS OF DECONSTRUCTION AND RECONSTRUCTION.
TWISTED AND ROTATED PATTERNS, DEEP SLIT NECKLINES, CASCADING PANELS, AND BIAS-CUT CONSTRUCTIONS TRANSFORM GARMENTS INTO LIVING SCULPTURES, CREATING SILHOUETTES WHERE STRENGTH AND FLUIDITY COEXIST.
TRADITIONAL GARMENT STRUCTURES ARE REINTERPRETED THROUGH A CONTEMPORARY LENS, WHILE MULTI-LAYERED, ARMOUR-LIKE CONSTRUCTIONS BOTH PROTECT THE BODY AND ENABLE FREEDOM OF MOVEMENT.
SHELL AND COCOON-LIKE VOLUMES, EXAGGERATED RAGLAN AND DOLMAN SLEEVES, ASYMMETRICALLY DRAPED SKIRTS, AND LAYERED TROUSERS EXPAND AND CONTRACT AROUND THE BODY, GENERATING A POWERFUL SENSE OF TENSION AND PRESENCE.
HABOTAI SILK, LINEN, AND ORGANZA COLLIDE WITH METALLIC SURFACES, SEMI-SHEER VINYL, AND PAPER-LIGHT CRUSHED LEATHERS, REVEALING BOTH THE TRACES OF TIME AND A FUTURISTIC SENSIBILITY.