STUDIO SHINYOO
DE-CONSTRUCTION OF THE CONSTRUCTION
EXHIBITION BY GALERIE NOIR
CONTRASTS DO NOT MEET.
CULTURES COLLIDE. FROM THE SHATTERED POINT, A COMPOSITION OF DECONSTRUCTION BEGINS.
THE SAME COMPONENTS ARE CONTINUOUSLY SUBSTITUTED IN SUCCESSION.
(SIT) ON A CHAIR, (EAT) AT A TABLE, (ORGANIZE) IN A CABINET, (LEAN) AGAINST A PILLAR, (LIE) UNDER A ROOF.
AND AGAIN—CULTURES COLLIDE.
LEAN WHERE ONE LIES, STORE WHERE ONE LEANS, EAT WHERE ONE STORES, AND SIT WHERE ONE HAS EATEN.
“EVERYTHING IS THE CONTINUATION OF SOMETHING ELSE” (AESTHETICS, VOL. 4, P. 616, LUKÁCS).
WITHIN THE SINGULAR PROPERTIES OF EVERY CULTURAL OBJECT RESIDES A UNIVERSAL LEGACY THAT CUTS ACROSS ERAS.
A WORK THAT ATTAINS THE STATUS OF A CONCRETE IMAGE—ASSIGNED TO THE STAGES OF CULTURAL DEVELOPMENT AND THE UNFOLDING OF HUMANITY’S FATE—ACHIEVES THE UNITY OF OPPOSING POLES;
AND THE UNIVERSALITY OF THE FUNDAMENTAL COMPONENTS REAPPEARS, ONCE MORE, AS THE ATTRIBUTES OF THE INDIVIDUAL AND THE PARTICULAR.
LIN 1
WOOD / HANJI / GLASS
550 X 550 X 900
2024
PLANE SERIES
HANJI / MUK / PAINT / PRINT
400 X 1000
2024
PIECED
PAINT ON WOOD
DIMENSION VARIABLE
2023
